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Waiting for the Hero

by Anne Lister

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1.
The fairies danced up on our hill Years ago and they dance there still You can’t see their ruins or find their bones But I’ve seen them there – so did Edmund Jones Don’t expect chiffon and don’t expect wings But listen for the music and the songs they sing And don’t wander far into the woods alone Or you’ll end up with the fairies and with Edmund Jones. Three hundred years is no time at all Though cities crumble and rulers fall Although his house may be rubble and stones The fairies still dance with the Reverend Jones. Of course I’m a Christian he said to his foes God creates more than we can know Humans are not on this world alone Of course there are fairies said the Reverend Jones. Big as rugby players, small as sprites The fairies hold their revels on the hills at night Dancing together or dancing alone Dancing with me or with the Reverend Jones. The roads that cross this hill are old There’s more beneath this hill than coal Look past the houses, the trees and the stones Come and dance with the fairies and the Reverend Jones.
2.
Arise, arise you lost gods and heroes Your sleep is over, it’s time to stand We need your strength and we need your courage It’s time to rescue a fading land This is no battle as you have known it The times have changed now and so has war Your shields and swords alone cannot defend us No kind of challenge you have faced before. What we face now is a slow erosion The land is slipping slowly out of sight We walk on concrete, drive metalled roadways We blind the stars with our man-made light We live in boxes separate from each other We find so many ways to close our minds The air, the sea and the rivers poisoned We’re sowing seeds of a different kind. I want to walk the green lanes and hedgerows And feel the heart beating fierce and strong I want to stand deep in central London And hear the notes of a skylark’s song I want to feel we have reconnected The highest branches to the deepest spring I want to re-tell the myths and stories And hear the tales that the dragons sing. A different world now, the towns and cities Where money talks so loud that no one hears And information means we all know nothing And no one notices truth disappear. I call you now you lost gods and heroes To stand beside me and make a stand Those who’ve heard the faint call of Logres Put the heart back inside our land.
3.
Marrow Hill 04:37
Where you built fortresses, we have ploughed fields Long gone the palisades, long gone the shields Courage and cowardice, both in time yield As the wind blows over the moor. Where you were lords and kings, we graze our sheep Long gone the warriors, far down you sleep Faithful or treacherous, the tale’s buried deep As the wind blows over the moor. Where you fought desperately we stroll on by Long gone the weeping, long past the cry Fierceness and gentleness lost in the sky As the wind blows over the moor. What will they say of us, when we have gone? Long gone the listeners and finished the song The fights, the caresses, the right and the wrong As the wind blows over the moor. But let’s light a candle flame here in the dark Let’s add a stone to the cairn on the path Let’s pass the stories on, leave a small mark As the wind blows over the moor. So here’s a song for you and here’s a prayer For life still worth living and risks still to dare For battles worth fighting and dreams rich and rare As the wind blows over the moor.
4.
Sunlight over the old bridge We walk hand in hand Step into the piazza Where the statues stand wondering how they came to be wondering why you stay with me wondering what else we should see this time. Water under the old bridge We watch the tourists flow Into the rooms of paintings Constant come and go wondering how the sky’s so blue wondering why I stay with you wondering what we’re going to do next time. And there in the darkened alley way there’s a door As if no one else had ever been here before Stepping inside a cool fresh place Step inside into sacred space Step inside, and come face to face with love. Full moon over the old bridge Walking side by side Listening to all the echoes Of all the times we’ve cried wondering how we’ve never learnt wondering why we’ve been so burnt knowing that at least it is our turn this time. For there in the darkened alleyway there’s a door As if no one else had ever been here before Stepping inside a cool fresh place Step inside into sacred space Step inside, and come face to face with love. We walk over the old bridge Close in heart and mind Discovering in this city More than we’d dreamt we’d find Love is still love, if you’re old or young love is love, a song being sung love is love, and we’ve just begun this time.
5.
There were three noble clerics, there were brothers three Who one day decided to sail across the sea “Oh what will you take with you, what food and drink and all To keep you from all hunger and keep you from the cold?” And first up spoke the oldest of all the brothers three “I need no heavy luggage when I sail across the sea. I will pray on the waters and on the flowing tide And I do believe and trust that the Lord will provide.” And then spoke the second clerk of the brothers three “All that you have spoken seems quite correct to me. We will pray to God’s glory as we sail upon the tide And in some mysterious way, God will provide.” And then up spoke the youngest, and he spoke with a sigh “I’m sure God is Lord of all between the sea and sky. I believe in God’s goodness and yet in spite of that I will bring along with me the small black cat.” A long way they journeyed, a long summer’s day Until they spied an island and there knelt down to pray And down on their knees they prayed, the brothers three And all the while the small black cat sat beside the sea. And then the youngest brother woke from his trance And watched as the small black cat began to weave and dance And out of the water he watched a salmon leap And the cat brought the fish to him, held between his teeth. “Oh look” cried the youngest, “See how the Lord is good! He makes the cat a messenger to bring to us some food!” “Oh no,” cried the others, “How could this be right? And the cat brought the fish to him, held between his teeth. “Oh look” cried the youngest, “See how the Lord is good! He makes the cat a messenger to bring to us some food!” “Oh no,” cried the others, “How could this be right? Be still now and pray again – the Lord will provide.” Then hunger brought the youngest again out of his trance He watched as the small black cat began to weave and dance. And upon a bed of charcoal the salmon fish was fried And alone among his brothers the youngest brother cried. And then before eating the youngest brother sang For all of God’s creatures and for his fellow man He prayed and he sang for faith and charity And all the while the small black cat danced beside the sea.
6.
The trees in the woodland stand silent and black As they wait for the time for the spring to come back And they whisper to me the secret they keep There’s no better healing than darkness and sleep. And here you are rushing so crazily by More swift than the sun as it crosses the sky The good times, the bad times, the seasons will turn The seedlings will sprout and the old hearthfire burn. The trees in the woodland are busy and green As the leaves and the blossom burst out to be seen And they whisper to me the secret they know There’s nothing so fine as to bloom and to grow. The trees in the woodland stand full and stand tall As warm light brings lushness and plenty to all And they whisper to me the secret they hide There’s nothing so fragile as beauty and pride. The trees in the woodland stand red, green and gold As they wait for the storm winds so brisk and so bold And they whisper to me the best secret of all A life without some grief is no life at all.
7.
This song is for me more than it is for you And that’s where the strange part begins For I always fight hard against saying what’s true And it’s not the kind of song I would sing. But hearing you leave and saying goodbye And sitting alone when you’d gone I thought that while others had just made me cry You just made me write you this song. I built my heart walls and I structured them well And I build every kind of defence And though they could stand against mortars and shell There’s really no chance with a friend. And the worst kind of loss and the worst kind of hurt Would be losing a friend by mistake If the alcohol blurred all our edges last night Then a song should help cover the break. Oh love is a big word and fills many dreams And there’s two kinds that I can see there There’s the kind that’s your whole life that I’ve never seen And the warm kind that all close friends share. And the worst kind of mess would be mixing the two Or drawing too heavy a line There’s no kind of danger between me and you But it’s some kind of love all the time. And wherever you go and whoever you see There’ll be something else following on Standing quite close in the good times there’ll be And there in the times things go wrong. There’s no need to worry, no need to explain No need to be sorry at all Whatever has been may not happen again But we both made a gate in the wall. This song is for you more than it is for me And that’s where the strange part should end For I always fight hard against saying what’s true Ah but how could I lie to a friend? And hearing you leave and saying goodbye And sitting alone when you’d gone I thought that while others had just made me cry You just made me write you this song.
8.
Silkie 06:09
I heard a mother lull her bairn And aye she rockit and she sang She took so hard upon the verse That the heart within her body rang. O row cradle and go cradle And ay sleep thou my bairn within O little ken I my bairn’s father Or yet the land that he lies in. O up then spoke a grimly ghost That lay so long at her bed feet Saying here am I thy bairn’s father Although I’m not your love so sweet. Jo Immrannoe it is my name Jo Immrannoe they do call me And my lands they lie both broad and wide Among the rocks of Sule Skerry. And foster well my young young son And for a twelve month and a day And when the twelvemonth’s fairly done I’ll come and pay the nurse’s fee. But how shall I my young son ken And how shall I my young son know Mongst all the silkies in Sule Skerry He will be midmost among them all. My husband is a proud gunner And aye a proud gunner is he And the very first shot that he will fire Will be at my young son and thee I fear no living proud gunner I fear no mortal man, quoth he For powder will not burn in salt So I and thy young son will go free. Oh when that weary twelvemonth came He came to pay the nurse’s fee He had one coffer full of gold And another full of white money. Upon the Skerry is your young son Upon the Skerry lieth he Since thou will see thy own young son Now is the time to speak with he. The gunner lay behind a rock Behind a tanglie rock lay he And the very first shot the gunner fired It struck his wife about the bree. Jo Immrannoe and his young son With heavy hearts took to the sea Let all that live on mortal land Ne’er mix with silkies of the sea.
9.
Drake's Drum 04:52
Down in the abbey you can see Drake’s drum, far across the Devon moor They say we’ll hear it beating when the hero comes as it did when he went to war. They say you’ll hear it beating when we need him most, deep in the Devon hills Beating the drum like a marching ghost, but it seems that we’re waiting still. It seems I’ve been listening all my life, listening for the drum Waiting to be rescued, waiting to live, waiting till the hero comes. I’ve seen Nelson’s jacket in a fine glass case, clear in a spotlight glare They say it’s his blood on the delicate lace, a piece of him lying there. And we’ve dug great holes in the hills and dales looking where Arthur sleeps Looking for redemption in the myths and tales, salvation in the castle keep. Far in the forest, deep and dark, there’s a castle where a princess waits They say she was punctured by a magical dart and left to her sleeping fate Until one day a prince will come, the right man brave and true The years will pass while the princess dreams and no other prince will do. Suppose there are no heroes and there’s no prince, suppose we’re on our own Stories are just stories, myths are myths, and we have to cope alone In real life some moments end in pain, there’s nothing you can do We’re all each other’s heroes, so hold my hand and we’ll try to battle through.
10.
Cinders 04:14
I’m sitting in the ballroom now - the guests have all gone home My husband’s somewhere in the palace - I think I’m all alone There’s mirrors all around the room and in every one I see A lady in fine clothing but she doesn’t look like me. There’s nothing so attractive as a prince in his full power There’s nothing as enticing as a rigid curfew hour There’s nothing quite like choosing if you’re the one to choose There’s nothing quite like gambling if you’ve nothing left to lose And you’re bound to be quite certain there’s a fine prize to be had With a memory of perfume and a slipper in your hand … You thought that you were helping when you came by that night And turned my rags to riches and made the wrongs all right You thought that you were helping with your magic and your wand But I can’t see what the fuss was for now everyone has gone. I can’t see the princess or the beauty or the bride I only see the little girl in ashes left behind. I think he just came after me because I ran away I think I said I loved him to have something nice to say I think he only married me because the slipper fitted right I think I only married him from the romance of that night Don’t judge me by the satins or the velvets or the gold There’s just a little child by a fireside and the ashes have gone cold.
11.
As I walked over London Bridge I heard Cassandra cry She saw the towers falling down, spill people from the sky And all of us saw what she saw, the buildings torn apart Saw the world turned upside down, a knife blade in the heart. As I walked out through London Town I heard Achilles weep He’d had a vision in the night which woke him from his sleep A different kind of slaughter in a different kind of war A thunderbolt from an open sky he’d never seen before. The snakes around Medusa’s head spread confusion and deceit Her smile turns people’s hearts to stone, success into defeat We think we can control our lives, we think we make the rules We look upon Medusa’s face and then we know we’re fools. As I walked through the Isle of Dogs Odysseus caught my arm He’d witnessed many battles but he’d never seen such harm How do you fight with shadows, how do you catch thin air How can you deal with evil when it drifts through everywhere? As I sat down on Hampstead Heath I called Athena’s name But she was with the other gods, all playing stupid games Our leaders are their playthings and our future is their prize And every death in war is triumph through Medusa’s eyes …..
12.
And the evening shadows swoop and fall and lengthen And we hear the sound of a church bell ringing And we pass a statue, a black angel flying And beneath it written names and dates of dying. Oh your father hated mine and my father killed yours In the time-honoured fashion of all our time-out-dated wars For politicians never know and commanders soon forget That a country is more than the men in its government. And the history books make sure that traditions last and last So that we never can forget any injury done in the past And the quiet people believe that wars can never end Without knowing that if we linked hands we could make the world a friend. So now I’ll sing no anthems for death or glory And I’ll stand beneath no flag, shout no cheers for victory But I vow that I will live my life in harmony And teach my children’s children to love my father’s enemy.
13.
I danced with the dragon through the gates of the sun As the daylight died And the tune he was singing made the stars skip and run In the deep night sky Down in the forest at the turning of the year The holly is still king The trees sing the carols if you’ve ears for to hear Bring the New Year in. The dragon guards the fire with the curl of his tail As the daylight dies The starlight bends and fractures on a thousand gleaming scales In the deep night sky Here the logs are blazing and we sit by the fire With our songs to sing A challenge from the winter lord to find our heart’s desire Bring the New Year in. When you dance with the dragon be careful of his breath As the daylight dies The gates of the sun can lead to new life or death In the deep night sky Winter’s on the turning point, darkness will not last Peace is on the wing We’ll tell the tales of what’s to come remembering the past Bring the New Year in. The dance of the dragon is the flippant dance of time As the daylight dies Match him step for step, do not stumble out of line In the deep night sky. He’ll turn you and roll you around and around Your head will rock and spin And your world will seem much duller when your feet touch the ground Bring the New Year in.
14.
Walk into the forbidden forest How does the story end? Fight your way through thorns and brambles Into the nightmare’s den Treat each one you meet with kindness There are so many kinds of blindness The night is deep and dark and mindless Is that how the story ends? Tiptoe past the sleeping giant How does the story end? Keep your courage, stay defiant In the nightmare’s den Steal the treasures from his keeping There are so many ways of sleeping No time to stop for joy or weeping Is that how the story ends? Find the prince, find how to kiss him How does the story end? Don’t search too hard or you might miss him Inside the nightmare’s den Sew a shirt of stinging nettles Burn your thumb on the boiling kettle Burst out of a cage of metal Is that how the story ends? Does it have a happy ending How does the story end? Or is it heartbreak beyond mending In the nightmare’s den Get out of the bag strung from the rafters Tears of joy with tears of laughter We’ll live happily ever after That’s how the story ends.

about

Originally released in March 2005. Recorded by Liv Elliott in Overtones Studio, London. Mike O'Connor recorded his tracks in Cornwall, Matt Crum in Yorkshire and Julia Lane and Fred Gosbee in Maine, USA.

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released February 4, 2022

All songs composed and performed by Anne Lister. Recording Engineer and genius Liv Elliott, who mixed and mastered the whole thing. Mike O'Connor - fiddle, concertina. Steafan Hannigan - low whistle, djembe, bodhran, small pipes, uillean pipes. Matt Crum - clarinet and keyboards. Julia Lane - harp and harmony vocals. Fred Gosbee - harmony vocals.
Artwork by Steve Purbrick, based on a photo by Anne Lister

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Anne Lister Wales, UK

Anne is best known for her song "Icarus", recorded and performed by a number of different singers, including Martin Simpson and Nic Jones. "Astrolabe" is her ninth solo album.

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